Another location was outside a police station. I was thinking of using this as an establishing shot and using non-synchronous dialogue between an officer and my protagonist while the shot is on to show that the protagonist is there.
An alternative idea could be a mid-shot/close-up of my protagonist thinking about whether she should go to the police after the main disequilibrium of the trailer occurs.
This shot will reinforce the genre of my film, as police are almost always involved in a Crime Thriller, even if they aren't the main protagonists.
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